adjacent to
it set as a paused filled — single pieces — demarcations
action led to mere ‘puttering’ but thereupon would counter.
at time of old and new moon — restful shadows on shoulders as soldiers —
to the cell — this war — mark-of-purpose.
cells filled the spacial requirements — first as silent longing, next as vacant homecoming,
continued in solitary, as in bars and bare — naked.
simultaneous collaboration yielded more monoliths
so-called ‘vertical horizontals’
embedded and revived
monotone and equally silent.
monumental idiosyncratic nuances shifted — .
moments in and out of cell — as motion forgot about motion.